Time to switch bodies, perhaps

Time to switch bodies, perhaps

Corporal Si Longworth

Corporal Si Longworth

Corporal Si Longworth is one of 38 trained British Army photographers.  He left a career in aviation to pursue his passion for photography; capturing everything that military life has to offer. He has recently returned from Afghanistan where he was the Task Force Helmand Photographer.

What did I tell you? I said you wouldn’t have to wait long. I have come bouncing back after my blog-abstinence, and quite right too. I can’t have those of you who have faithfully followed me through Afghanistan fall by the wayside now, can I?

After a month off over Christmas, I have been rocket-propelled into 2014 with fury. Something happened to me over that break you know. Something that has likely changed me forever. Did I find religion? Did I see the Eighth Wonder of The World, or was I visited by a ghost? I am afraid the answer is so much simpler than that. I used a Canon…

“Arghhh”, I will hear some of you shouting at me, whilst you throw things at your laptop in disgust. Others will sit back laughing and smiling contently. Whichever you are, hear me out.

A technical epiphany

Those of you who know me, will know that I have NEVER subscribed to the Canon-Nikon argument. Each has their pros and cons, and people (except the professionals) tend to navigate towards one or the other by chance or a recommendation. For me, it was the only one I saw in a secondhand shop in Scunthorpe over twenty years ago; Tom Dennis Cameras (I think it’s still open for business).

There it was on the shelf looking at me, as I looked back with my well-earned lawn-mowing business money in hand. A simple exchange later and I was the proud teenage owner of a second-hand Nikon F90X. I learned it, I loved it and I owned it for many years to come. When the time came to change, I sold it (I wish I hadn’t now) and used what little money I got for it to part-finance a Nikon D200. It only seemed right because I had a couple of lenses and they all fitted. I was also used to the ‘buttonology’. Skipping many years and several Nikons later, I am now in possession (bought or loaned by the Army) of five professional Nikon bodies.

I would be lying if I told you that I didn’t love them. I have Nikon in my blood stream, I suppose, and that was just circumstance. I didn’t choose the brand because it was ‘the best’. As a child I never knew about cameras, and, now that the Army chooses to shoot Nikon, I have no choice but it works for me as that’s what I know.

Now over the years, I have bumped into friends and photographers who have gone the Canon route. Whenever I could, I would always ask to ‘have a go’. I can tell you that, on every single occasion, I have become frustrated within minutes because it was so different to handle and operate than my native Nikon. The buttons were so different and everything was buried in menus. I liked Nikons because there was a button for everything. Inevitably, I ended up handing back the camera and thinking to myself that it was too complicated and it didn’t interest me to learn.

Moving on several years later to the stages when I was taking my photography more seriously, and my mind had started to wander towards doing it as a career. I started regularly buying photographic magazines (as you do). Wasting those three to five pounds every month on ‘mags’ that just go around in circles with the advice they give. All good stuff but, if you buy a year’s worth, you will have covered most of the basic techniques and in that second year they will be there again like a faithful dog.

Focus on Canon

What I did start to notice, from reading the magazines, were two distinct things: Firstly, and most depressingly, my photography wasn’t as good as I thought it was. The second thing was that all the pictures that I considered to have ‘amazing colour depth’, or be ‘dreamy’, were shot with a Canon. Call me what you like, but soon enough I could look at a picture and tell if it was a Canon or a Nikon image. (I am not talking about the heavily post-processed images you see.) I sat and bored friends with this notion for weeks and weeks. Some agreed with me and some said I was talking utter nonsense but, nevertheless, I was always right.

If this had have been a fluke then I would have dismissed it, but the fact that I could always do it seemed strange to me. It worried me a little. Probably because my post-processing ability wasn’t up to scratch either, and I probably thought that I would never be able to produce imagery of that quality.

As time ticked on through 2013 I just kept second-guessing imagery and occasionally ‘tweeting’ other photographers to see what camera brand they used. I suspect you know the outcome of my queries. I decided that I was on to something, but I was never going to be able to prove it because I didn’t have access to a Canon. That soon changed.

Dreamy picture

A chance social engagement gave me opportunity to catch up with a friend ‘over a few beers’ in London. He was an avid Canon-guy and the topic of my ‘findings’ came up during the drunken ramblings of the evening. Without trying to quote the conversation, he essentially offered to lend me some gear so I could have a go and see for myself. I think I sobered up instantly at the offer, as I knew I would have to remember it in the morning.

Sure enough, my friend came good to his word and a couple of months later I was in possession of a Canon 1Dx, 85mm 1.2, 24-70mm 2.8 and the 70-200mm 2.8. A formidable line-up, I am sure you would agree. I had the cameras over Christmas, which was no doubt a quiet period for him. It mattered not. I quickly got to work comparing the Nikon D4 and the Canon 1Dx. I am not talking about scientific laboratory tests here, either. I am talking about walking around my local area with the same lenses on and taking the same pictures, with a bit of comparison later on the computer.

What I should say is that, two weeks prior to receiving the camera, I downloaded the manual and studied it. I didn’t want to have this camera and spend a week getting used to it. Admittedly, it took some time and I was even a bit ‘fingers and thumbs’ with it after two weeks.

Unlike other blogs or web pages, I am not going to put up comparison images. It doesn’t matter because maybe it’s only me who can see what I am talking about. I don’t think ‘dreamy pictures’ are something you can quantify anyhow. What I will tell you is that I was very, very impressed with what that camera could do in terms of frames per second, colour and ISO range. My images didn’t seem as flat, straight off the bat, as they had done before. I was content with everything that came off the memory card.

A love affair with Nikon

You may not appreciate this, but it’s hard for me as a self-professed ‘Nikon guy’ to write such things. I should be faithful, should I not? I am guessing as the years go by, each camera manufacturer gets the edge on something. Canon friends tell me that the colour on previous models was awful, and Nikon had the edge. Well, it certainly seems like it has swung the other way for me. The trouble for me is the way it has left me feeling each time I go to shoot a job with my current gear.

When I look at images that I take, even as much as a week ago, I start to feel deflated that they just aren’t up to scratch. I know there is a better machine out there, and I just don’t have the time to always be processing hundreds of images to make them look as zesty and full of life as those images I produced over Christmas.

Go on, shout at me again. I know some of you will want to, but hey, I am only telling you the truth about how I feel, and I think you have the right to know. I will always promote Nikon for what it is , because it is an amazing bit of kit. I love my Nikon kit deep down, and I will always have a love affair with the history we have shared, but the fact still remains; If tomorrow I were not an Army Photographer, and I didn’t own a single bit of Nikon gear … I would go out and buy Canon.

1/125 @ f1.2 ISO 2000

1/125 @ f1.2 ISO 2000


Roger Roberts – Solo Artist.

Roger Roberts – Solo Artist.

Roger shot at f1.2 with no post-production. As I say; ‘dreamy’ (not the guy).

Roger shot at f1.2 with no post-production. As I say; ‘dreamy’ (not the guy).

More tc

Read Si’s other blogs here: Life Through a Lens…

Si’s opinions are his own and not an endorsement of the British Army.