Road moves and ricochets

Corporal Si Longworth in Afghanistan

Corporal Si Longworth in Afghanistan

Corporal Si Longworth is one of 38 trained British Army photographers. He left a career in aviation to pursue his passion for photography; capturing everything that military life has to offer. He is currently in Afghanistan as the Task Force Helmand Photographer on Op HERRICK 18.

A Combat Logistic Patrol

So hello again. It’s good to know you guys and girls are still reading about life as a British Army Photographer, five blogs in. I have had really positive feedback from you all and for that, I thank you.

Just when I thought I was getting ‘into the groove’ of things out here, what with portraits, group-shots, training budding photographers and the occasional walk-on-the-wild-side, the powers that be decided to mix things up a little, and here’s how.

As some of you may know, my trade is lovingly nestled deep in the bosom of the Royal Logistic Corps (RLC), the largest corps within the British Army. I wear that cap-badge along with over 16,000 other officers and soldiers. The trade groups within the RLC are vast, and include Air Despatcher, Chef, Ammunition Technician, Supply Specialist, Movement Coordinator and Boat Crewman. However, there is another group of fellow RLC soldiers that probably make up one of the largest trade groups, but maybe don’t get enough recognition or praise. (Well not from me in the past, anyway) These are the humble Drivers.

Being a driver in the Army may well appeal to the young guys at school whose dreams are filled with tearing up the road in a huge military truck or tank, but it has never flicked my switch. So, when I was approached by the adjutant of 3 Combat Logistic Support Regiment and asked if I wanted to come out with them ‘for a drive’, my heart didn’t exactly skip a beat.

Not wanting to disappoint and having a slight curiosity of what life was like on a Combat Logistic Patrol, I checked my diary and pencilled it in.

My first of several mistakes was to assume that I would be out with these guys for a few hours. I should have remembered flying around those patrols, providing valuable top-cover from a Lynx helicopter two years ago. Even more importantly, I should have remembered that we used to be out for hours and hours whilst the patrol made its way through the Helmand River Valley.

Anyway, having a terrible memory, lets just say I was more than a little shocked when attending the orders for the patrol, and discovered I would be out for over 24 hours. Nice!

Once I had recovered from my initial shock I was hit with mistake number two; photographers, as it happens, don’t get the comfy ride.

Top-cover man

In order for me to get on the patrol I had to take somebody else’s place on it. On this occasion I was heading to the heights of the EPLS (Enhanced Palletised Loading System) as the gunner / top-cover man. An EPLS only caries a two-man crew, and as I don’t have a HGV licence, yep, you guessed it, I was ‘stagging’ (On duty/sentry at a post) on the top. I could almost feel my bladder strain as I re-checked my notes from patrol orders to discover that the journey would take around eight hours.

Okay, so this was going to be a challenge for me, but one I relished. First thing to do was brush up on a few key skills that would be required such as: Patrol SOPs (Standard Operating Procedures), GPMG (The big machine gun on top) refresher training, and most importantly, ‘drop-down drills’, should we inadvertently roll over whilst out and about.

At this point I was introduced to my driver (drives), a 43-year-old Army reservist named Ian. Ian was a steady hand, and through his very broad ‘geordie’ accent he guided me through the basics and the essentials of the EPLS cab.

The Enhanced Palletised Load Platform

The Enhanced Palletised Load Platform

My ‘steady hand’ driver, Private Ian Coulthard

My ‘steady hand’ driver, Private Ian Coulthard.

The plan was relatively simple. My vehicle joined by another 30 or so would make their way from Camp Bastion, down Highway 1 and through the green-zone, stopping off at each of the main locations along the way. At each location a smaller vehicle packet would break away and deliver its stores, whilst the larger packet moved on. The main convoy would remain outside the wire the whole time, so there was no rest for the top-cover man.

Checks, checks, checks

With all the necessary familiarisation and refresher training complete I hit the sack. It was only 1600 hrs the day before the patrol, but I was due to be up and parading in the CMA, (Convoy Marshalling Area) that’s a vehicle park to you and I, for 0200 hrs.

Beep Beep Beep… “Oh my god. What am I doing?” I asked myself as I clambered out of my pit (bed). It took me a full half an hour to wake up, just as I joined my fellow dreary-eyed men and women in the CMA. We were quickly put to work as there were more preparations to be made; final kit checks, communications checks, weapons checks, vehicle checks, checks, checks and some more checks. To be honest, I was impressed by how professional the whole thing was.

It was reassuring to see the Squadron Sergeant Major, WO2 Turley, conducting random checks on individuals’ kit and equipment, including their clothing. All the personal protective equipment that we are issued in the Army is state of the art, so there really isn’t any point in leaving it in your bed space.

Before moving off around 0530 hrs, there was just enough time for a sausage bap, delivered to us from the kitchen by some RLC guys from another well-known trade group - the chefs.

Ian and I mounted up, and away we went. We were positioned around two-thirds the way into the patrol. The sun was breaking so I managed to grab a quick shot before heading out of camp.

Combat Logistics Patrols continue accross Helmand Province

Sunrise in the Convoy Marshalling Area.

Almost immediately I realised that the journey was not going to be a particularly pleasant one. The road surfaces were dusty gravel tracks for around 70 per cent of the journey, and when you are 13 feet up and standing on your feet, boy do you feel it! Side to side you’re thrown constantly, bouncing left, right, up and down. CRACK goes your elbows as they smash into another piece of metal in the turret. I never expected it to be so rough. I stupidly assumed that big tyres meant smooth sailing. Well, there you have big mistake number three.

Travelling along Highway 1 gave me a brief reprise, but watching all the other traffic squeeze every inch out of the tarmac was equally unnerving.

Combat Logistics Patrols continue accross Helmand Province

The Afghan Highway Code isn’t quite the same as the UK’s.

‘Twang’

By the time we had arrived at our first destination to drop off a few vehicles, two hours had passed. My knees and feet were fully aware I was carrying an extra 20 kgs in body armour and had also cottoned-on to the fact I hadn’t sat down in a while, so they were politely asking me to take a rest. As I was standing there observing my arcs of fire, I declined gracefully.

I remember Ian looking at me whilst I performed weird ankle rotating exercises to try and sooth the discomfort, and quipping: “That was the easy part of the journey”. Well, unfortunately, he wasn’t wrong.

As we progressed, uneven track became potholes, which became bigger holes, and then finally what felt like full-on rocky outcrops. We forded fast flowing waddies, threaded huge lorries over bridges with little room to spare on either side and inched our way along the side of huge canals. The camber of which constantly fought against our high centre of gravity, trying to get us wet.

My feet, knees and elbows felt every single pebble until I was given a small blessing at the six-hour point, when everything went numb!

The journey down through the Helmand River Valley was otherwise a pleasant one. The landscape was beautiful, the adults and the children constantly waved and shouted hello. Sometimes the children would playfully throw stones at the vehicles in order to hear the ricochet “twang” off the armour. I could see them all laughing amongst themselves as it made the noise. Watching life carry on as normal from 13 feet up was fantastic, and everything from my chest upwards was thankful for the experience.

A child shows interest in the Combat Logistic Patrol.

Afghan children laugh and joke as the convoy rolls by.

(I am going to save you the detailed account of how one goes to the loo whilst on the move, and stood right next to your driver’s head. Needless to say it becomes a very personal experience for both of you)

Vehicles make their way through Helmand Province.

Winding our way through the Afghan countryside.

Vehicles make their way through Helmand Province.

The Neb Canal.

Vehicles make their way through Helmand Province.

The route is slow-going due to the state of the roads.

On the road again…

At the seven hours and fifteen minutes point, we rolled into PB Folad.  Once stopped, I cautiously jumped down from the cab. My legs had never been so happy to see terra firma and they showed their love for it by embracing it horizontally, for about 10 minutes.

Lying on the ground gave me time to reflect on what was happening around me. There was no time to rest for the guys who were carrying essential loads. I watched vehicles being guided carefully into position and dropping off stores, then picking up new loads. This was all done with the slickest of efficiency, as no doubt the Patrol Base commander had been eagerly awaiting this logistics patrol resupply for some time.

The occupants from other vehicles, which weren’t carrying loads, helped where they could and then laid in the shade of their vehicles. Almost every person who was resting took off his or her boots and socks, and I didn’t need to be told. The relief was instantaneous, and in a cruel way, so was the respite, as in no time at all we were loading up again.

In the small space of time at Folad, I had managed to force-feed myself a whole tube of Pringles (Salt and Vinegar, in case you were wondering), a Mars bar and a Twix, flushed down with a can of Mountain Dew. I thought I would need the energy for the return journey, but the sun was shining on me that afternoon as I was offered a swap into the Mastiff command vehicle. I am not even sure the officer had finished the sentence, and I had thrown my bag in the back and jumped on a seat. Not the comfiest of seats in the world, but I certainly wasn’t going to be complaining.

I said farewell to Ian and wished my replacement luck. We were on the road again. The journey home was pretty uneventful. There isn’t much to look at from the back of a Mastiff vehicle. For safety reasons you are strapped very tightly into a four-point harness, and it feels like being in an inverting roller coaster safety seat, only without as much fun, screaming or somebody throwing up next to you. I did manage to grab this very quick shot of our resident top-cover woman, Cpl Sheridan Lucas.

Cpl Sheridan Lucas (27) occupies the Cupola

Cpl Lucas keeping a keen eye out on her arcs in the Mastiff.

We had a slightly longer break at one of the locations on the way back, so that the drivers could have some enforced rest and possibly a bit of shut-eye. I didn’t sleep for the two hours, but spent the time trying to convince the occupants of my vehicle (not the driver, who was flat-out) that it would be a great idea to let me experiment with some lighting techniques I had been mulling over during the last five-hour ‘roller coaster ride’.

Here are the results. I am reasonably content with the outcome considering how long I had been awake.

Extremely robust individuals

Three soldiers relax at dusk during a break in a Combat Logistic Patrol

The other soldiers from my Mastiff chill and chat at dusk during enforced rest on the return journey.

WO2 Grant Turley (41), Squadron Sergeant Major of 32 Squadron, Combat Logistic Support Regiment  relaxes on the steps of his Mastiff vehicle during a break in the Combat Logistic Patrol.

WO2 Grant Turley poses for one of my lighting set-ups.

Corporal Sheridan Lucas (27), part of 3 Combat Support Logistic Regiment prepares to wake soldiers who have been given a two hour enforced rest during a Combat Logistic Patrol.

Corporal Lucas posing for a long exposure before waking troops from enforced rest.

When we finally rolled through the gates of Camp Bastion it was 0200 hrs. 25 hrs after my stupid alarm clock forced me out of bed. I sighed in relief to the Squadron Sergeant Major and made some dribbly comment about being happy it was all over. He laughed at me, and then educated me that every one of the 30-odd vehicles needed to be refuelled, which took time from two petrol pumps, and then all kit had to be ‘squared away’, weapons handed back, cabs cleaned out, only after dropping the loads. I felt pretty humbled at the time. I am not ashamed to say that I was, how we say, ‘baggage’.

I left the crews and headed back to my bed. Having spoken to the adjutant the next day, I am reliably informed the last person made it to their bed two hours after we breached the gates of Bastion. That’s some going as far as I am concerned.

I now believe that being invited out with the Combat Logistic Support Regiment on a Combat Logistic Patrol was a real privilege. Being out with 32 Squadron for over 24 hours has smashed any misconception about what these extremely robust individuals do for a living. It is an unpleasant job due to the sheer time involved in moving tons of kit around a battlefield, all the time under threat and needing to be that little extra bit alert to your surroundings, when fatigue may well be knocking at your door.

32 Squadron, 3 Combat Logistic Support Regiment, and the rest of the driver trade in the RLC, I wholeheartedly take my hat off to you…My eyes have been opened.

More tc.

Read Si’s other blogs here: Life Through a Lens…

Follow Si on Twitter: @Si_Army_Phot

Rock ‘n’ Roll

Herrick 18 Stories

Capt Mau Gris. Sgt Barry Pope RLC (Phot)

Capt Mau Gris. Sgt Barry Pope RLC (Phot)

Captain Mau Gris is team leader for the British Army’s Combat Camera Team (CCT) based in Afghanistan throughout the summer 2013 as part of 1 Mechanized Brigade. Op Herrick 18′s CCT also includes Sergeant Barry Lloyd – video cameraman – and Sergeant Barry Pope – photographer.

A song and dance

It’s been a fun time for the CCT since I last wrote. Life has been dominated by the Combined Services Entertainment (CSE) Show. This is on the opposite end of the spectrum to what we exist to cover but has its difficulties. For those who haven’t had the pleasure of attending one, a CSE show combines comedy, music and dancing to help troops take their mind off work where ever they are deployed for a couple of hours.

Having directed a music video before I am well aware of the pitfalls of filming entertainment. The combo of noise, movement and lights if not handled correctly can be an absolute and utter nightmare to edit, doubling or even tripling the time it takes to complete a job. This was the first time that I had seen one of these entertainment shows and, like any typical soldier, I was sceptical about the show’s ability to distract me without the aid of alcohol. I was even a bit nervous for the stand-up comics, as sober soldiers on operations would be a tough audience.

I was proved wrong. Within minutes of the first comic coming on, I was relaxed and enjoying the show. So relaxed that I pretty much forgot I was working. Good for morale, bad for work. I realised, as we left the show, that Lloydie would need more interviews to create a video piece. We would have to come back and do the show again. Again, I thought I would be bored. Nope, second time round I couldn’t get enough of the dancers and the band called Front Cover, but still we needed more. The next night promised massive crowds as it was for the whole of the camp Bastion.

Sgt Barry Lloyd. Cpl Si Longworth (phot)

Sgt Barry Lloyd. Cpl Si Longworth (phot)

Capt Mau Gris and Sgt Barry Lloyd. Cpl Si Longworth (phot)

Capt Mau Gris and Sgt Barry Lloyd. Cpl Si Longworth (phot)

Sgt Barry Pope. Cpl Si Longworth (phot)

Sgt Barry Pope. Cpl Si Longworth (phot)

Sgt Barry Lloyd. Cpl Si Longworth (phot)

Sgt Barry Lloyd. Cpl Si Longworth (phot)

Large events like this pose their own problems for the guys – both Lloydie and his Holiness (Sgt Pope) have to contend with the crowd, who don’t like people pushing past them to get closer to the stage. Also moving around a venue that is much larger takes time and can make cutting a bit trickier. Lloyd and his Holiness nailed it – working like madmen to get the shots they needed. To add to the fun we had the talented Brigade Photographer Cpl Simon Longworth along to take some amazing ‘drag flash’ photos (I think that’s what he called them anyway.) We were nearly there, almost enough footage. We had one night to get the last shots that would make the piece.

Sadly just when we thought we had achieved our mission, operational commitments meant that the last show was cancelled. Just when you think nothing more can go wrong! So quick thinking by the guys meant that we worked out that a multimedia piece could still be possible. The Army definition of a multimedia piece is a video that relies fairly heavily on photos or even exclusively on photos with some audio on it. We learned a valuable lesson realising this.

There are multiple ways to skin a media cat in order to get that story across.

 

CSE Show in full swing. Sgt Barry Pope RLC (Phot)

CSE Show in full swing. Sgt Barry Pope RLC (Phot)

CSE Show in full swing. Sgt Barry Pope RLC (Phot)

CSE Show in full swing. Sgt Barry Pope RLC (Phot)

CSE Show in full swing. Sgt Barry Pope RLC (Phot)

CSE Show in full swing. Sgt Barry Pope RLC (Phot)

CSE Show in full swing. Sgt Barry Pope RLC (Phot)

CSE Show in full swing. Sgt Barry Pope RLC (Phot)

CSE Show in full swing. Sgt Barry Pope RLC (Phot)

CSE Show in full swing. Sgt Barry Pope RLC (Phot)

CSE Show in full swing. Sgt Barry Pope RLC (Phot)

CSE Show in full swing. Sgt Barry Pope RLC (Phot)

CSE Show in full swing. Sgt Barry Pope RLC (Phot)

CSE Show in full swing. Sgt Barry Pope RLC (Phot)

See you next time guys. Take it easy.

Read Mau’s other blogs here: Capt Mau Gris

Follow Mau on Twitter: @mau_gris

Filming close quarters combat in the third dimension

Herrick 18 Stories

Capt Mau Gris. Sgt Barry Pope RLC (Phot)

Capt Mau Gris. Sgt Barry Pope RLC (Phot)

Captain Mau Gris is team leader for the British Army’s Combat Camera Team (CCT) based in Afghanistan throughout the summer 2013 as part of 1 Mechanized Brigade. Op Herrick 18′s CCT also includes Sergeant Barry Lloyd – video cameraman – and Sergeant Barry Pope – photographer.

‘Spray and pray’

With Lloydy gaining a bit of fame in for his 3D filming (he’s been interviewed by BBC Radio Merseyside) I thought it was time to talk about our 3D filming, so far, in this blog.

Last week, I found out that the Brigade Reconnaissance Force (BRF) were going to the Close Quarter Battle (CQB) range to practice their skills. So I set up a day to go down and capture them in action.

CQB ranges are pretty claustrophobic and seriously intense; as they are made to replicate urban warfare. Though for Helmand this is a thing of the past it’s still practiced, and it is ideal subject matter for a bit of 3D action. To give you an idea – here is a video we made on Close Quarters Marksmanship:

[http://youtu.be/OGetZAelPbg]

The ranges are set up in a kind of winding alley format, with lots of corners forcing the guys to practice the drills. They face all the problems that might happen in the real thing and they have to deal with them as they go.

With the perfect subject, we set about assessing gear that the production house 3Dizzy had given us. We’ve been given a p2, which is a large standard news camera, which has a large 3D lens on it. Advantages of this – great HD quality footage with complete control. Downside – very awkward to move with and fricking heavy. We also had a 3D Helmet camera, which had the opposite qualities – easy to use, but no monitor to watch the footage, to use military slang; a ‘spray and pray’ camera. We also had a 3D handycam which was in the middle of the two.

3D filming of close quarters marksmanship. Sgt Barry Pope RLC (Phot)

3D filming of close quarters marksmanship. Sgt Barry Pope RLC (Phot)

3D filming of close quarters marksmanship. Sgt Barry Pope RLC (Phot)

3D filming of close quarters marksmanship. Sgt Barry Pope RLC (Phot)

Close quarters marksmanship being filmed. Sgt Barry Pope RLC (Phot)

Close quarters marksmanship being filmed. Sgt Barry Pope RLC (Phot)

Close quarters marksmanship being filmed. Sgt Barry Pope RLC (Phot)

Close quarters marksmanship being filmed. Sgt Barry Pope RLC (Phot)

3D filming of close quarters marksmanship. Sgt Barry Pope RLC (Phot)

3D filming of close quarters marksmanship. Sgt Barry Pope RLC (Phot)

3D filming of close quarters marksmanship. Sgt Barry Pope RLC (Phot)

3D filming of close quarters marksmanship. Sgt Barry Pope RLC (Phot)

On 3D cameras you have an additional elements of ‘convergence’ and ‘depth budget’ to consider alongside the ordinary considerations such as exposure and framing. Simply put these are controls for whether something pops out at you from the screen and how three dimensional something is. Too much can actually ruin a shot or even make it ‘illegal’ according to broadcaster standards.

With all this to consider Lloydy and his Holiness (Sgt Pope) were really earning their pay on this shoot. As the producer I had to concentrate on holding my tongue and getting them the time they needed to do the job, as well as not ruining their shots by accidentally walking into them, which I have done more than once. Don’t ask me how, it just happens.

3D filming of close quarters marksmanship. Sgt Barry Pope RLC (Phot)

3D filming of close quarters marksmanship. Sgt Barry Pope RLC (Phot)

We set up Lloydy with the big camera as he’s the specialist video guy, getting the tough arial tracking shots from an observation deck. Then his Holiness got the nice, tight shots on the handycam, we are hoping to show the results later in the year! Drop me a line in Twitter if you want to know more.

Filming from the Hospital

I also promised to talk to you about the difficulties of shooting in the Camp Bastion Hospital. From a producer’s perspective – it is about the clearances and preproduction you have to go through – for legal reasons actually filming patients is a no go, you can get their permission afterwards and in the UK but because of the nature of this environment it’s not always possible to track people down after they have left.

ISAF are teaching the afghan doctors and surgeons more advanced medical techniques to enable them to look after and care for the more seriously injured soldiers. Sgt Barry Pope RLC (Phot)

ISAF are teaching the afghan doctors and surgeons more advanced medical techniques to enable them to look after and care for the more seriously injured soldiers. Sgt Barry Pope RLC (Phot)

ISAF are teaching the afghan doctors and surgeons more advanced medical techniques to enable them to look after and care for the more seriously injured soldiers. Sgt Barry Pope RLC (Phot)

ISAF are teaching the afghan doctors and surgeons more advanced medical techniques to enable them to look after and care for the more seriously injured soldiers. Sgt Barry Pope RLC (Phot)

Working in the hospital. Sgt Barry Pope RLC (Phot)

Working in the hospital. Sgt Barry Pope RLC (Phot)

Also in that environment were people are very aware of cameras, you often have to contend with people messing up the shot by trying to avoid being in it. Or trying to stop you because they have not been told that you have permission. That said if you do go through the pain – the shots of the work people are doing there are worth it. Nothing worth anything is ever easy.

See you next time guys. Take it easy.

Read Mau’s other blogs here: Capt Mau Gris

Follow Mau on Twitter: @mau_gris

So, what have you been up to?

Corporal Si Longworth in Afghanistan

Corporal Si Longworth in Afghanistan

Corporal Si Longworth is one of 38 trained British Army photographers.  He left a career in aviation to pursue his passion for photography; capturing everything that military life has to offer. He is currently in Afghanistan as the Task Force Helmand Photographer on Op HERRICK 18.

A month down; seriously? Wow, the first month just flew by and I am wondering why? I haven’t been rushed off my feet, nor have I been sitting around watching Jeremy Kyle (each to their own). Maybe I have found the perfect ratio. I certainly hope so as I have another five to push out.

I deployed to Afghanistan with 1st Mechanized Brigade Headquarters, having just recently been posted there in January. In that small space of time I have made a few friends, and occasionally I bump into them out here. Most of them are office workers in the headquarters, and some of them have been scattered around the province. When I do manage to catch up with them, or indeed my very good friends from either of the two Army Aviation detachments (Lynx and Apache), there is always a running theme to the initial questions. They want to know what a photographer does out here, how they spend their time, how much down-time we get, and if we have been ‘out and about’.

Well let me dispel any myths and put straight rumours by taking you through my first month.

The job we do, especially out here in Afghanistan is all around us. Everywhere I go and every interaction I make could turn into a possible story. Sure, some are contrived but others are not. Sometimes I work to a brief but a lot of the time I don’t. I am certainly not freelancing around, but there is so much scope to find interesting people and stories that it seems untrue. I always carry my camera when it’s practical to do so. I wouldn’t be much of a media photographer if it weren’t available to hand to grab a shot that is glaring me in the face, or that may just sneak up on me.

So…my travel to Afghanistan was documented from the outset. Admittedly, people sitting around on a plane or in airport lounges don’t make interesting pictures but never the less have to be documented as historical archive.

Soldiers begin their journey to Helmand

Soldiers begin their journey to Helmand

Soldiers begin their journey to Helmand

Soldiers begin their journey to Helmand

Soldiers begin their journey to Helmand

Soldiers begin their journey to Helmand

Once the journey ends, days after you arrive at RAF Brize Norton, there is hardly any time to rest until the in-theatre Reception Staging and Onward Integration (RSOI) training starts. This is where I have to balance carrying a camera with the responsibility to myself to take-in as much as possible of what is being briefed to me. The information is delivered to assist soldiers whilst out here, and, as it will be the first time I am heading out on the ground, cameras were mostly stowed in a bag.

After I finish RSOI I wrap up a day’s admin in Camp Bastion and take the time to drop in on some old friends. This is short lived, as I have work to be getting on with. I catch my flight to MOB Lashkar Gah, the headquarters of task Force Helmand. During the flight, I bag a quick shot of the soldier sat next to me – LCpl Phil Pacey.

LCpl Phil Pacey takes a Chinook flight to Lashkar Gah

LCpl Phil Pacey takes a Chinook flight to Lashkar Gah

When I arrive I set up shop, and conduct my two-day handover with the outgoing photographer, Corporal Mike ‘Nez’ O’Neill. It isn’t long though before I am back on a Chinook helicopter heading back to Camp Bastion to spend four days topping up on the RSOI pictures of 1 Mechanized Brigade troops as they arrive in theatre.

1st Mechanized Brigade troops conduct RSOI training.

1st Mechanized Brigade troops conduct RSOI training.

1st Mechanized Brigade troops conduct RSOI training.

1st Mechanized Brigade troops conduct RSOI training.

1st Mechanized Brigade troops conduct RSOI training.

1st Mechanized Brigade troops conduct RSOI training.

1st Mechanized Brigade troops conduct RSOI training.

1st Mechanized Brigade troops conduct RSOI training.

Hanging around Bastion is great for me as the facilities are great and I spend time with the guys from the Combat Camera Team, headed up by Captain Mau Gris. Between the other two guys, Sergeant Barry Lloyd (video) and Sergeant Barry Pope (stills), they cover most media jobs in theatre, spreading out their expertise from Bastion to Kabul if necessary. The two Barrys are the same trade as me, as we are all jointly trained in videography and photography. They have been around the block and have settled into work with ease; pumping out stories quickly and efficiently under the direction of Captain Gris. The guys are fortunate, as most units in theatre know the name of the Combat Camera Team, but luckily for the soldiers of Task Force Helmand (around 5000 troops) they have their own dedicated Media Cell. Yes that’s right, yours truly. I even have my own version of Captain Gris, but he’s called Captain Dalzel-Job (D-J), Scots Guards. He is the SO3 Media, Task Force Helmand, and a force to be reckoned with when it comes to hunting down stories.

RSOI complete, I head back to Lash once more, edit and update the official 1 Mechanized Brigade Facebook page with stories and images, and in no time at all I am back out once more, this time to FOB Shawqat. The guys drive me there from Commanding Officer, 1 Mercian Regiment’s Tactical Group. The journey by road is another first for me, and the commentary along the way was fantastic. I was taken to Shawqat to grab some specific images for the Commanding Officer, and also to become familiar with the camp and its inhabitants, capturing ‘FOB life’ wherever possible. I spent a total of four days in Shawqat, and was hosted very well by the regiment.

One of the days I was there, I overheard a group of soldiers bantering each other, and one of the guys seemed to be taking the brunt of it. It turned out he and his sister were both serving in the Territorial Army and were both serving on the camp. Well ‘yee haa’ for me. A little persuading and I was snapping away, followed by a recorded interview. A week later their local newspaper picked it up and it ran on their website. A great example of how stories can arrive at my doorstep from just being somewhere, and keeping my ear to the ground.

 

FOB Shawqat daily life.

FOB Shawqat daily life.

 

FOB Shawqat daily life.

FOB Shawqat daily life.

A lot of editing is done on location, and if necessary sent via portable satellite back to HQ for editorial processing before being shipped on to the relevant news agencies.

After four days, it was back to Lash once more, but I think you know what’s coming. Yes, you guessed it again, it was time to head out again, this time accompanied by Captain D-J, and this time to Patrol Base Folad, the most Northern of Patrol Bases, now that many have been handed back to the Afghan National Security Forces.

Spending time in the patrol base was admittedly a bit of an eye opener for me. I loved the atmosphere and the camaraderie that oozed in the air. We were busy there, and managed to come away with five stories and a bunch of great photos, which are currently in with the editor to be released. Some of the images, you may have already seen:

A Spring in Her Step

A Spring in Her Step

DH3 UAV Launch.

DH3 UAV Launch.

Life on Patrol Base Folad

Life on Patrol Base Folad

Life on Patrol Base Folad

Life on Patrol Base Folad

Once back from Patrol Base Folad, I had to turn the pictures around, as I hadn’t packed my laptop due to space restrictions in my personal kit. All my kit gets a thorough de-gunge whenever I am back in the office. I recharge all my batteries, including those in my body, check in with the big bosses, to find out what’s on the schedule for the next days/week and then get ready for my next adventure.

It may or may not seem a lot to some people, but if you factor in editing time (days), snap portrait jobs and group shots, sangar duties and lots of little things I forget to mention here, you will come to realise, that life as a British Army Photographer in Helmand Province is varied and sometimes hectic, but one I wouldn’t change for anything.

See you next time…

More tc.

Read Si’s other blogs here: Life Through a Lens…

Follow Si on Twitter: @Si_Army_Phot

Everything, always…

Corporal Si Longworth in Afghanistan

Corporal Si Longworth in Afghanistan. @Si_Army_Phot

Corporal Si Longworth is one of 38 trained British Army photographers.  He left a career in aviation to pursue his passion for photography; capturing everything that military life has to offer. He is currently in Afghanistan as the Task Force Helmand Photographer on Op HERRICK 18.

There is one thing I have learned throughout my picture-taking life, and that is, It’s pretty annoying when you get to a location and realise you have left something back at the office.

Time and time again over the years I have reached for the extra flash, or rummaged through my kit bag for the ‘curly-wurly’ lead, filters, spare batteries, and the list goes on and on only to find an empty space where a bit of kit should have been.

(Don’t forget that I have been messing around with a camera since my first paper round and lawn-mowing job paid for my first SLR camera, which happened to be an Olympus OM-10, seen here: (I will be writing more on my kit in a future blog)).

Olympus OM10

Olympus OM10

Having recently changed my career path, and taken up photography in a professional capacity, I can no longer afford to be left wanting at the roadside. My job is extremely dynamic and can turn on a dime (Yes, I know that’s a catchphrase from our American brothers, but I like it). I can be tasked to take an outdoor group shot of 60+ people, and then be thrust into a horrendous lighting situation in a dimly lit tent. I can be photographing blast damage, and then in the same breath diving for cover from incoming fire, trying to catch the intensity of the situation with my trusted Nikon (The Nikon D4/D800 are the current issued cameras to Army Photographers, but I’ll write a piece on my kit later).

It is for that reason, I have adopted the adage; “Everything, always…”

Better to have it and not use it

Clearly there are limits. I am only one man, and as strong as I am (laughing) I can only hump so much about. Sometimes I will be lucky and have a vehicle to help, but that will only get me so far. Not to where I really need to be. Not into the thick of the green zone in Helmand. That’s when I have to make sacrifices.

The possibility of isolation in the field with only what I can carry means tough decisions when it comes to kit. Is the second camera really required, or should I just take the lens? How many batteries, flashes, cords, triggers and subtle lighting equipment should I squeeze into my back-pack? Will there be opportunity to get creative with a flash or two, when behind mud walls? Is there a talented VAL (voice activated light stand) on hand to make the most of those extra flashes?

And then there is all the legislated military hardware I need to carry, especially when deployed on operations, sometimes in temperatures above 40 ºC. My weapons, ammunition, body armour, water, spare clothes, sleeping bag, rations and a trusty satellite phone for sending out images, and the list continues.

Just yesterday I was asked to take a portrait shot of a senior officer in Task Force Helmand. The brief:

“He only has five minutes, just a quick in and out job in front of the sign should do it.”  I guess some people would walk over with a camera and possibly a flash. Not me. As I sweated myself into position in the midday sun, I must have looked bonkers to the onlookers as I set up two light stands, a shoot-through ‘brolly’ and a couple of radio triggers and angled for the only bit of shade I could find.

As I wiped the sweat from my brow after lugging all the kit to the location, and made the picture, I sighed in relief that I had upheld my own adage. Overkill, some would say. But I say better to have it and not use it, than to have to excuse yourself, run back to the office (on this occasion) to get it, and look a fool.

I was due to go out into the field today for 48 hours. I didn’t need the satellite. I weighed myself at the helicopter flight-line out of interest. Okay, 80 kilograms means I may have some unwanted poundage I need to shift, but once I put on my military kit, and loaded my photography kit onto my back, I weighed in at 130 kilograms. 50 kgs of kit and photography equipment is a pretty hefty burden, and not one I’m used to. You see, I wouldn’t just be able to run back to the office once I am out, so unfortunately for me and my old knees, for the most part, it’s ‘everything, always’.

Prepared kit

Prepared kit

If only I had the gift of hindsight about the variety and specifics of tasks that will come my way once out on the ground… (At least my shoulders wish that).

More tc.

Read Si’s other blogs here: Life Through a Lens…

 

Follow Si on Twitter: @Si_Army_Phot

Herrick 18 Stories: Good times, sad times, wasting time

Capt Mau Gris. Sgt Barry Pope RLC (Phot)

Capt Mau Gris. Sgt Barry Pope RLC (Phot)

Captain Mau Gris is team leader for the British Army’s Combat Camera Team (CCT) based in Afghanistan throughout the summer 2013 as part of 1 Mechanized Brigade. Op Herrick 18′s CCT also includes Sergeant Barry Lloyd – video cameraman – and Sergeant Barry Pope – photographer.

 

The meaning of CCT becomes clear

Hi guys – its been a little while since I posted something but a fair bit has happened.

One of the sad duties I have to do is cover vigils of fallen  comrades. It’s probably one of our most important tasks; documenting the vigil to a fallen serviceman, but you cannot help but feel a little scummy, a bit like the paparazzi as you take the photos and video of such a solemn occasion. I do wonder how people could do it for a living.

Vigil service for LCpl Jamie Webb of 1 MERCIAN Regiment. Sgt Barry Pope RLC (Phot)

Vigil service for LCpl Jamie Webb of 1 MERCIAN Regiment. Sgt Barry Pope RLC (Phot)

The team got its first run out as a deployed newsgathering unit. We had go down to Lashkar Gah, the capital of Helmand to cover the official changing of the Brigade from 4th Mechanized Brigade to 1st Mechanized Brigade. This happens when a new tour begins and a new load of people take over. We found ourselves working alongside Caroline Wyatt, the BBC’s Defence Correspondent and the British Forces Broadcasting Service guys.

We arrived a day early to film the goodbye Shura – which is an Afghan meeting with Afghan musicians and traditional food. There was this exquisite potato flat bread call Burkahra. All the top Helmand residents descended to say thanks to out-going Brigadier Bob Bruce and welcome Brigadier Rupert Jones.

With a real-time deadline of 12.30pm for 1pm News to get the material back to the UK in time, we had a real rush. The satellite decided it didn’t want to work. Great! So we had to rush around like mad men trying to hop on a computer anywhere we could. We managed it by the skin of our teeth and got to see our images on the news for the first time!

It was at this point that I began to realise the pressures and difficulties that traditional news teams must have when chasing a story. It’s not just being aware of the environment and the constraints on the kit, it’s getting the interviews, that are ‘clean’ – ie free from distraction in the picture and the sound, as well as the GVs (or general views) of whatever it is you are covering. That is before you have to worry about transmission back to wherever will be showing it!

Images of the 4th mechanized brigade Shura. Sgt Barry Pope RLC (Phot)

Images of the 4th mechanized brigade Shura. Sgt Barry Pope RLC (Phot)

Images of the 4th mechanized brigade Shura. Sgt Barry Pope RLC (Phot)

Filming of 4th mechanized brigade Shura. Sgt Barry Pope RLC (Phot)

Images of the 4th mechanized brigade Shura. Sgt Barry Pope RLC (Phot)

Images of the 4th mechanized brigade Shura. Sgt Barry Pope RLC (Phot)

Images of the 4th mechanized brigade Shura. Sgt Barry Pope RLC (Phot)

Images of the 4th mechanized brigade Shura. Sgt Barry Pope RLC (Phot)

Shawqat farewell

Following that faff, we were prepared for the next deployment to  Forward Operating Base Shawquat in the Nad-e Ali to see the Mercian regiment leave Afghanistan for the last time. Shawquat has is based around an old British fort that was used the last time the British were in Afghanistan! So we got some good pictures of where our predecessors would have stayed.

 Take over of authority at Main Operating Base Lashkar Gah. Sgt Barry Pope RLC (Phot)

Take over of authority at Main Operating Base Lashkar Gah. Sgt Barry Pope RLC (Phot)

As you can probably tell I’ve been doing a fair bit of travelling which is just as susceptible to delay as in the UK. The Afghan weather plays havoc with the Helicopters so the Baz(es) and I have been doing what all good soldiers do, when they get free time – sleeping.

Time for a well-earned rest. Sgt Barry Pope RLC (Phot)

Time for a well-earned rest. Sgt Barry Pope RLC (Phot)

Next time – I will talk to you about filming the elite Brigade Reconnaissance Force in 3D – the first British troops to ever be filmed in 3D!  I also will talk about the difficulties and constrains of filming in the Hospital.

See you next time guys. Take it easy.

Follow Mau on Twitter: @mau_gris

Military policeman, pilot, photographer…

Corporal Si Longworth in Afghanistan

Corporal Si Longworth @Si_Army_Phot

Corporal Si Longworth is one of only 38 trained British Army Photographers.  He left a career in aviation to pursue his passion for photography; capturing everything that military life has to offer. He is currently in Afghanistan as the Task Force Helmand Photographer, on Op HERRICK 18.

Those who follow me on Twitter will already know that I have been in Afghanistan for just over a month, and in that month I have managed to get out and about, visiting many of the locations where British troops are stationed. I have suffered at the evil hands of diarrhoea and vomiting and produced a handful of home-town stories – not to mention my first multimedia piece, which featured on the British Army Facebook page. I am going to take the time to write about my first month very soon, but it would be unfair of me not to give you a little insight into my career thus far. So please sit back, and try to stay awake…

The journey to Afghanistan was not unfamiliar to me, having done it twice before, but the job I have taken over was.

I wasn’t always an Army photographer. No Sir. I have been tinkering with cameras for years, but it is only recently that I decided to finish up my Army career as a ‘phot’. (‘Finish up’ as in the last few years – not commit career suicide.)

“How do you know there is a pilot in the room?”
“Don’t worry, he’ll tell you!”

Well, ladies and gentlemen, that’s what I was; an Army pilot. I have to get it out early, as no doubt I will be making reference to aviation in future posts (because I can’t help it, and because this blog series isn’t just about my life as a photographer; it’s a story of how I got here). In early 2012, after seven years as a qualified Lynx helicopter pilot, I decided that I wanted a change of pace, and I wanted to concentrate more of my efforts on the hobby I was passionate about: photography.

One amazing career; three different jobs

Throughout my Army career, I have made some great friends in the photography trade. Throughout every contact, meeting and occasional coffee (for ‘coffee’, read ‘beer’) with one of these mysterious men and women, I would always sit back and turn a little green with envy at their stories and experiences. To some people out there, the thought of demotion from Sergeant and the loss of flying pay may seem a little strange, and maybe it is. But the beauty of the British Army is exactly that: the ability to change jobs. Why get out when you can try something different? As an employee for over 17 years, starting out in the Royal Military Police (RMP), specialising in Close Protection duties, then applying for Army Pilot Selection, and now finally a photographer for the Army, I can see no greater incentive to stay in – or indeed join up. One amazing career, and three different jobs. Yes, of course I have suffered promotional setbacks at the hands of transferring, and will continue to as I reach the end of my career. But the balance to that scale is I have been kept enthusiastic and have loved – and I mean genuinely loved – every part of my diverse military career. Who else can say that?

Author during Royal Military Police Training in Northern Ireland

Author during RMP Training in Northern Ireland. By WO1 Mike Harvey, RLC.

Here is an image taken (on film, of course) ‘back in the day’, during an RMP Close Protection training exercise at Ballykilner, Northern Ireland. What you may find interesting is that in Northern Ireland I lived and worked next to the Central Photographic Cell, and had invited a new-found friend, Corporal Mike Harvey (who used to process my ‘work-related’ (honestly) film from my Nikon F90x) to join us for the day and capture the action. He was, of course a Royal Logistics Corps Photographer. Today, WO1 Mike Harvey is the Command Master Photographer in the Army Photographic Trade.

So, where was I…? Oh yes, my friends who I have seen join the trade over the years. I had watched my best friend and successful Army shooter, Staff Sergeant Dan Harmer, travel to amazing places and capture fantastic images, just as the rest of our trade has done, and I wanted to become a part of that. One of the things I have noticed about photography is my reaction to it and how it makes me feel to look at a striking image. I could look at it and become more immersed in the story than I could with any video clip. That was what I wanted to do. I dreamed of people opening up papers and being stunned over an image I had managed to take. (I still live in hope…)

The seed, planted

It wasn’t until my first tour of Afghanistan that I bumped into a now friend and great photographer Corporal Steve Blake, who had sauntered into the Lynx detachment and asked me for a favour. He needed a flight and, as it happened, I wanted a picture. The mutual agreement and friendship was thus formed. He won’t mind me letting everyone know that I took him flying a few times, and convinced him that the angle of bank which made him scream like a little girl was required to allow him to get his pictures. (Sorry, Steve.) He took these pictures for me, and single-handedly – without knowing it, and just like the film ‘Inception’ – he planted the seed in my mind to transfer.

Author and his Lynx

Author and his Lynx. By Sgt Steve Blake, RLC.

Author in his Lynx

Author in his Lynx. By Sgt Steve Blake, RLC.

I had a few professional commitments to fulfill with my aviation role, including a second tour in Afghanistan. But under a year later, after a successful Army Photographic Selection course, I had started training at the Defence School of Photography at RAF Cosford, Wolverhampton, to become my current trade: an Army Photographer.

I still managed to snap a couple of sunrises while out and about, though. The pros of being an early-morning aviator, I guess.

Sunrise over a Helmand Lynx

Sunrise over a Helmand Lynx. By Sgt Si Longworth, AAC.

Flying into dawn – my co-pilot uses Night Vision Goggles to aid in flying before the sun rises over the Helmand Desert

Flying into dawn – my co-pilot uses night vision goggles to aid in flying before the sun rises over the Helmand Desert. By Sgt Si Longworth, AAC.

So there you have it: a little more about me. I am sure you will all get to know me as time goes by; what makes me tick and what ticks me off. As I have said before, this is a journey, and we’ll take it together. Thanks for reading, until the next time…

More tc…

Read Si’s other blogs here: Life Through a Lens…

Follow Si on Twitter: @Si_Army_Phot

Herrick 18 Stories: Military Dogs homeward bound

Captain Mau Gris

Captain Mau Gris

Captain Mau Gris is team leader for the British Army’s Combat Camera Team (CCT) based in Afghanistan throughout the summer 2013 as part of 1 Mechanized Brigade. Op Herrick 18′s CCT also includes Sergeant Barry Lloyd – video cameraman – and Sergeant Barry Pope – photographer.

 

Dogs on a plane

As part of a camera team, you get asked to film some weird stuff. It doesn’t come much weirder than being pulled out of your bed at 3am to film some dogs being walked around the desert.

After I had woken fully, I found out that we were going to film the military working dogs (MWDs) being walked before their flight home following their tours. MWDs, unlike their military handlers, have no standard tour.

Depending on their ability to work, some of the dogs getting on the plane had been in Afghanistan for up to three years. They were going home to Germany for some well-earned rest. It’s not unheard of for the handlers to buy their dog from the Army after it finishes it’s career. Indeed some handlers have even used their operational bonus to buy their dog.

When you’re stumbling around in the dark surrounded by MWDs, it is a useful fact to know that the dogs you have to be careful of are not the protection dogs, who tend to be bigger and louder than the rest, it’s the hyper-focused search dogs that will have a little nibble on you if you get too close.

Image of Military Working Dogs leaving Afghanistan after a tour of duty. Sgt Barry Pope RLC (Phot)

Image of Military Working Dogs leaving Afghanistan after a tour of duty. Sgt Barry Pope RLC (Phot)

Image of Military Working Dogs leaving Afghanistan after a tour of duty. Sgt Barry Pope RLC (Phot)

Image of Military Working Dogs leaving Afghanistan after a tour of duty. Sgt Barry Pope RLC (Phot)

Members of the Royal Army Veterinary Corps loading military working dogs in to the C17 aircraft in preparation for the flight home to the UK. Sgt Barry Pope RLC (Phot)

Members of the Royal Army Veterinary Corps loading military working dogs in to the C17 aircraft in preparation for the flight home to the UK. Sgt Barry Pope RLC (Phot)

Highway to Helmand

Aside from the dogs, I had my first outing into Helmand to visit 22 Engineer Regiment. The job we were filming involved removing a bridge that had been damaged; which would then be replaced by an Afghan contractor. Though I only got to see it as they were stripping away the first bits with the help of a US Marine Corps crane team.

They had been working hard all night to build their temporary base near the bridge before working on the bridge itself, so they were tired by the time I got there. The bridge is near a place called Lashkar Gah Durai and is an important feature on Highway 1 (which is a bit like the M25 but for the whole country). So, they were working quickly to avoid the traffic building up.

It was great to get out and finally do the job I have been training for. However, it was useful for another reason. As I am sure most people who have served will tell you, it doesn’t matter how much you organise your kit on pre-deployment training, you will always have to re-jig your kit after your first time out on the ground. I have now realised just how much of a pain the tripod I have to carry for my cameraman is going to be.

Members of the Combat Camera Team (CCT) in Afghanistan

Members of the Combat Camera Team (CCT) in Afghanistan

Follow Mau on Twitter: @mau_gris

‘Hello’, this is me

Corporal Si Longworth in Afghanistan

Corporal Si Longworth in Afghanistan

Corporal Si Longworth is one of only 38 trained British Army Photographers.  He left a career in aviation to pursue his passion for photography; capturing everything that military life has to offer. He is currently in Afghanistan as the Task Force Helmand Photographer, on Op HERRICK 18.

So here I am… Blogging… It’s a day I thought the world would never see, but nevertheless, here it is.

I have decided to open up to the blogging world from a land, it seems time forgot. Somewhere in Central Asia, and somewhere I am all too familiar with. But more of that later.

Let me introduce myself:

My name is Si Longworth and I am a professional photographer (yes, the Army has those). I am one of 38 photographers (photogs or phots) for the Army, covering media operations globally.

Although I have been making pictures in one form or another for little over 20 years, I have only recently joined the photographic trade (Royal Logistic Corps) within the Army. I saw it as a calling to do something that I have always loved. I have been in the Army since seventeen and a half; dropping out of college to pursue a career in the Royal Military Police. Since then my career has seen many highs and lows –  but more of that to come. After all, you have me for the foreseeable future.

I’d like to take you on a journey and invite you to join me as I describe how I got here and what it’s like to be a British Army photographer.

For now though; ‘Hello’ from me.

More tc…

Read Si’s other blogs here: Life Through a Lens…

Sunset silhouette - It's a picture of me. By Sgt Baz Pope, RLC.

Sunset silhouette – It’s a picture of me. By Sgt Barry Pope, RLC.

Herrick 18 Stories Part 1: Chefs, Cherry Bakewells and the Combat Granny

Captain Mau Gris

Captain Mau Gris

Captain Mau Gris is team leader for the British Army’s Combat Camera Team (CCT) based in Afghanistan throughout the summer 2013 as part of 1 Mechanized Brigade. Op Herrick 18′s CCT also includes Sergeant Barry Lloyd – video cameraman – and Sergeant Barry Pope – photographer.

Meet the team

This is the first blog for the combat camera team out here in Helmand, Afghanistan. We are here to get the stories of our service personnel back to the UK. That can be words, photos, radio and video. It’s that simple. We get to travel all over Helmand province covering anything and everything forces related in Afghanistan.

So here is the team: Sgt Barry Lloyd is our video guy. All the video stuff you see over this summer is shot by him. He’s the strong silent type who likes to scowl while he thinks. He says he’s a former extreme unicyclist, I am not really sure what that is but it sounds impressive. He’s a plastic Scouser from Southport and the most experienced of us all. He’s already done a tour as a combat camera team photographer.

Sgt Barry Pope, His Holiness, from Dundee, is our photographer. He is a former chef who has spent the last two years training people in photography. Now frankly, he just wants to be able to take some of his own. He is a motorcycle instructor with a fetish for Cherry Bakewells, but only the Mr Kipling version!

Then there’s me, Captain Mauricio Gris. I am the team leader. The son of a Mexican father and Irish mother, I began my Army career in the Household Cavalry. I am the principle writer/interviewer for the team, so all the spelling mistakes, howling grammar and boring questions are mine.

First jobs of the tour

Major Marie Semple. Photographer - Sgt Barry Pope RLC

Major Marie Semple. Photographer – Sgt Barry Pope RLC

We arrived about three weeks ago and completed our in-country training to make sure we were up to speed with the latest intelligence and training. It was then straight out into the field finding stories.

First up is 55-year-old Army nurse Major Marie Semple, who at the tender age of 43 decided she wanted to join the Army as a nurse. Marie immediately got mobilised to go to Iraq. Now she is on her third tour, the second of Afghanistan.  She can still run and tab with the best of them, easily running a mile and half in 12 mins 30 secs. Marie is affectionately known as ‘Combat Granny’ by her work colleagues.

Following our Combat Granny story came a chef award ceremony. 4 Mech Brigade, the outgoing unit who have almost completed their tour, were recognising eight of their 81 chefs.  These Army chefs will routinely be cooking for 50 people three times a day for the full six months in some of the most austere locations in Helmand.

Read about one of the commended chefs here

We also visited the Thunder Lab in Herat Province in the west of Afghanistan. The Thunder Lab is an English School for prospective Afghan helicopter pilots. We met two young future RAF pilots teaching the Afghans English, all by themselves in an American camp with a few Italians.

Ok guys, that’s it for the moment. Next time I promise less about us and more about the men and women we meet on our travels.

 

Follow Mau on Twitter: @mau_gris