Hot music training in the Middle East

Musn O'Brien

Musn O’Brien

Musician Perry O’Brien is a member of the Band of The King’s Division. He was recently part of a short term training team along with members from the Heavy Cavalry and Cambrai Band sent to Kuwait to assist with music training of the Kuwait Army Band.

Maestro masterclass

The Heavy Cavalry and Cambrai Band were recently tasked to provide a short-term training team for the development and positive forward direction of the Kuwait Army Band. Aided by members of the Band of The King’s Division, a team of five personnel ventured to the middle-east.

Upon arrival at Kuwait Airport, we were hunted down in the crowd by Kuwaitis from the British Embassy. We were humbly escorted to the VIP lounge to drink Turkish coffee and Chai (drinks we were to consume thousands of during our stay) while our baggage was being retrieved and visas obtained on our behalf.  We met with our point of contact who briefed us on local etiquette, discipline and culture before moving to the Moevenpick Hotel. We were very well catered for at the hotel and we could see that the Kuwaitis were very grateful to have us over there.

Our first day with the band added another 12 glasses of Chai (an extremely sweet tea with extra sugar but no milk). We met the band who demonstrated their day-to-day schedule and performed how they usually would.  Their ensemble consisted of 2 ‘Maestros’, 17 trumpets, 2 Flutes, 12 Clarinets, 6 saxes, 4 Trombones, 3 Euphoniums, 2 Tubas and a 10-strong percussion section.

Our aim was to focus on the improvement of the ‘Maestro’s’ technique and confidence to enable them to carry on improving the band after we had finished our short time there.  This was no easy job for the Director of Music Captain Riley as the Maestros did not speak English. Captain Riley was no silver tongue in Arabic, either! However, the local translators from within the band did a fantastic job of conveying his lessons to the Maestros.

The band in Kuwait

The band in Kuwait

Short term training for the Kuwait Army Band

Short term training for the Kuwait Army Band

Almost instantly - with the help of the team sitting within the sections, a stern approach to reducing dynamics and the number of musicians performing at one time being decreased - we established the progression of significant musical improvement and our ambitious goal of improving the standard of the Kuwait Army Band soon became vastly more realistic. They already produce an incredibly high standard of pipes and drums so there was no reason why the wind band element could not be as successful.

By the end of the first week, the Kuwait Army Band had demonstrated significant improvement and set up a meeting to perform for the Chief Of General Staff, Kuwait Army.  With the help of the brass quintet and under the direction of Captain Riley, the performance was a huge success; The Chief of Staff was very pleased with the improvement of the band and it was clear to see that the work of the training team was having a monumentally positive impact on the standard of musicianship.

Back to the classroom

Over the next couple of weeks, we were hosted by British Officers of the British Military Mission. Our team formed a brass quintet to allow us to perform as a small ensemble whilst we were in Kuwait. We performed with dozens of talented British children to raise money for a charity supporting orphans in Argentina.  We also performed at the Raddison Club for the public and one night in the desert near Iraq, with cyalume® (light sticks) being our only source of light – this was the most interesting performance I have ever been involved in.

We were also due to provide musical support at the Queen’s Birthday Party, but this was postponed out of respect for the late Margaret Thatcher.

We visited Kuwait English School and The English School to deliver educational workshops to classes of children.  This added another interesting dimension to our already diverse visit.  The children thoroughly enjoyed our lessons on all of the instruments, even if it was just the teachers that were old enough to remember “Pigbag”!

Our drivers were on call 24/7 and had our every need catered for before we could even ask.  We were made to feel comfortable and welcome everywhere we went, visiting museums, bazaars, beaches, traditional cafés and impressive national buildings. There were only a few square inches of Kuwait city that we didn’t get to see!

Overall, Kuwait offered an extremely interesting and valuable experience to each one of us.  Not only did the Kuwait Army Band benefit from the effective and positive direction we delivered, but we gained a wealth of knowledge in return.  It was amazing to see the effect we could have on the Kuwait Army Band and to see their improvement as a direct result of our input. I suppose the 35 degree sun, incredible hospitality and interesting culture were the few added bonuses to a very rewarding mission.

Rock ‘n’ Roll

Herrick 18 Stories

Capt Mau Gris. Sgt Barry Pope RLC (Phot)

Capt Mau Gris. Sgt Barry Pope RLC (Phot)

Captain Mau Gris is team leader for the British Army’s Combat Camera Team (CCT) based in Afghanistan throughout the summer 2013 as part of 1 Mechanized Brigade. Op Herrick 18′s CCT also includes Sergeant Barry Lloyd – video cameraman – and Sergeant Barry Pope – photographer.

A song and dance

It’s been a fun time for the CCT since I last wrote. Life has been dominated by the Combined Services Entertainment (CSE) Show. This is on the opposite end of the spectrum to what we exist to cover but has its difficulties. For those who haven’t had the pleasure of attending one, a CSE show combines comedy, music and dancing to help troops take their mind off work where ever they are deployed for a couple of hours.

Having directed a music video before I am well aware of the pitfalls of filming entertainment. The combo of noise, movement and lights if not handled correctly can be an absolute and utter nightmare to edit, doubling or even tripling the time it takes to complete a job. This was the first time that I had seen one of these entertainment shows and, like any typical soldier, I was sceptical about the show’s ability to distract me without the aid of alcohol. I was even a bit nervous for the stand-up comics, as sober soldiers on operations would be a tough audience.

I was proved wrong. Within minutes of the first comic coming on, I was relaxed and enjoying the show. So relaxed that I pretty much forgot I was working. Good for morale, bad for work. I realised, as we left the show, that Lloydie would need more interviews to create a video piece. We would have to come back and do the show again. Again, I thought I would be bored. Nope, second time round I couldn’t get enough of the dancers and the band called Front Cover, but still we needed more. The next night promised massive crowds as it was for the whole of the camp Bastion.

Sgt Barry Lloyd. Cpl Si Longworth (phot)

Sgt Barry Lloyd. Cpl Si Longworth (phot)

Capt Mau Gris and Sgt Barry Lloyd. Cpl Si Longworth (phot)

Capt Mau Gris and Sgt Barry Lloyd. Cpl Si Longworth (phot)

Sgt Barry Pope. Cpl Si Longworth (phot)

Sgt Barry Pope. Cpl Si Longworth (phot)

Sgt Barry Lloyd. Cpl Si Longworth (phot)

Sgt Barry Lloyd. Cpl Si Longworth (phot)

Large events like this pose their own problems for the guys – both Lloydie and his Holiness (Sgt Pope) have to contend with the crowd, who don’t like people pushing past them to get closer to the stage. Also moving around a venue that is much larger takes time and can make cutting a bit trickier. Lloyd and his Holiness nailed it – working like madmen to get the shots they needed. To add to the fun we had the talented Brigade Photographer Cpl Simon Longworth along to take some amazing ‘drag flash’ photos (I think that’s what he called them anyway.) We were nearly there, almost enough footage. We had one night to get the last shots that would make the piece.

Sadly just when we thought we had achieved our mission, operational commitments meant that the last show was cancelled. Just when you think nothing more can go wrong! So quick thinking by the guys meant that we worked out that a multimedia piece could still be possible. The Army definition of a multimedia piece is a video that relies fairly heavily on photos or even exclusively on photos with some audio on it. We learned a valuable lesson realising this.

There are multiple ways to skin a media cat in order to get that story across.

 

CSE Show in full swing. Sgt Barry Pope RLC (Phot)

CSE Show in full swing. Sgt Barry Pope RLC (Phot)

CSE Show in full swing. Sgt Barry Pope RLC (Phot)

CSE Show in full swing. Sgt Barry Pope RLC (Phot)

CSE Show in full swing. Sgt Barry Pope RLC (Phot)

CSE Show in full swing. Sgt Barry Pope RLC (Phot)

CSE Show in full swing. Sgt Barry Pope RLC (Phot)

CSE Show in full swing. Sgt Barry Pope RLC (Phot)

CSE Show in full swing. Sgt Barry Pope RLC (Phot)

CSE Show in full swing. Sgt Barry Pope RLC (Phot)

CSE Show in full swing. Sgt Barry Pope RLC (Phot)

CSE Show in full swing. Sgt Barry Pope RLC (Phot)

CSE Show in full swing. Sgt Barry Pope RLC (Phot)

CSE Show in full swing. Sgt Barry Pope RLC (Phot)

See you next time guys. Take it easy.

Read Mau’s other blogs here: Capt Mau Gris

Follow Mau on Twitter: @mau_gris

Filming close quarters combat in the third dimension

Herrick 18 Stories

Capt Mau Gris. Sgt Barry Pope RLC (Phot)

Capt Mau Gris. Sgt Barry Pope RLC (Phot)

Captain Mau Gris is team leader for the British Army’s Combat Camera Team (CCT) based in Afghanistan throughout the summer 2013 as part of 1 Mechanized Brigade. Op Herrick 18′s CCT also includes Sergeant Barry Lloyd – video cameraman – and Sergeant Barry Pope – photographer.

‘Spray and pray’

With Lloydy gaining a bit of fame in for his 3D filming (he’s been interviewed by BBC Radio Merseyside) I thought it was time to talk about our 3D filming, so far, in this blog.

Last week, I found out that the Brigade Reconnaissance Force (BRF) were going to the Close Quarter Battle (CQB) range to practice their skills. So I set up a day to go down and capture them in action.

CQB ranges are pretty claustrophobic and seriously intense; as they are made to replicate urban warfare. Though for Helmand this is a thing of the past it’s still practiced, and it is ideal subject matter for a bit of 3D action. To give you an idea – here is a video we made on Close Quarters Marksmanship:

[http://youtu.be/OGetZAelPbg]

The ranges are set up in a kind of winding alley format, with lots of corners forcing the guys to practice the drills. They face all the problems that might happen in the real thing and they have to deal with them as they go.

With the perfect subject, we set about assessing gear that the production house 3Dizzy had given us. We’ve been given a p2, which is a large standard news camera, which has a large 3D lens on it. Advantages of this – great HD quality footage with complete control. Downside – very awkward to move with and fricking heavy. We also had a 3D Helmet camera, which had the opposite qualities – easy to use, but no monitor to watch the footage, to use military slang; a ‘spray and pray’ camera. We also had a 3D handycam which was in the middle of the two.

3D filming of close quarters marksmanship. Sgt Barry Pope RLC (Phot)

3D filming of close quarters marksmanship. Sgt Barry Pope RLC (Phot)

3D filming of close quarters marksmanship. Sgt Barry Pope RLC (Phot)

3D filming of close quarters marksmanship. Sgt Barry Pope RLC (Phot)

Close quarters marksmanship being filmed. Sgt Barry Pope RLC (Phot)

Close quarters marksmanship being filmed. Sgt Barry Pope RLC (Phot)

Close quarters marksmanship being filmed. Sgt Barry Pope RLC (Phot)

Close quarters marksmanship being filmed. Sgt Barry Pope RLC (Phot)

3D filming of close quarters marksmanship. Sgt Barry Pope RLC (Phot)

3D filming of close quarters marksmanship. Sgt Barry Pope RLC (Phot)

3D filming of close quarters marksmanship. Sgt Barry Pope RLC (Phot)

3D filming of close quarters marksmanship. Sgt Barry Pope RLC (Phot)

On 3D cameras you have an additional elements of ‘convergence’ and ‘depth budget’ to consider alongside the ordinary considerations such as exposure and framing. Simply put these are controls for whether something pops out at you from the screen and how three dimensional something is. Too much can actually ruin a shot or even make it ‘illegal’ according to broadcaster standards.

With all this to consider Lloydy and his Holiness (Sgt Pope) were really earning their pay on this shoot. As the producer I had to concentrate on holding my tongue and getting them the time they needed to do the job, as well as not ruining their shots by accidentally walking into them, which I have done more than once. Don’t ask me how, it just happens.

3D filming of close quarters marksmanship. Sgt Barry Pope RLC (Phot)

3D filming of close quarters marksmanship. Sgt Barry Pope RLC (Phot)

We set up Lloydy with the big camera as he’s the specialist video guy, getting the tough arial tracking shots from an observation deck. Then his Holiness got the nice, tight shots on the handycam, we are hoping to show the results later in the year! Drop me a line in Twitter if you want to know more.

Filming from the Hospital

I also promised to talk to you about the difficulties of shooting in the Camp Bastion Hospital. From a producer’s perspective – it is about the clearances and preproduction you have to go through – for legal reasons actually filming patients is a no go, you can get their permission afterwards and in the UK but because of the nature of this environment it’s not always possible to track people down after they have left.

ISAF are teaching the afghan doctors and surgeons more advanced medical techniques to enable them to look after and care for the more seriously injured soldiers. Sgt Barry Pope RLC (Phot)

ISAF are teaching the afghan doctors and surgeons more advanced medical techniques to enable them to look after and care for the more seriously injured soldiers. Sgt Barry Pope RLC (Phot)

ISAF are teaching the afghan doctors and surgeons more advanced medical techniques to enable them to look after and care for the more seriously injured soldiers. Sgt Barry Pope RLC (Phot)

ISAF are teaching the afghan doctors and surgeons more advanced medical techniques to enable them to look after and care for the more seriously injured soldiers. Sgt Barry Pope RLC (Phot)

Working in the hospital. Sgt Barry Pope RLC (Phot)

Working in the hospital. Sgt Barry Pope RLC (Phot)

Also in that environment were people are very aware of cameras, you often have to contend with people messing up the shot by trying to avoid being in it. Or trying to stop you because they have not been told that you have permission. That said if you do go through the pain – the shots of the work people are doing there are worth it. Nothing worth anything is ever easy.

See you next time guys. Take it easy.

Read Mau’s other blogs here: Capt Mau Gris

Follow Mau on Twitter: @mau_gris

Herrick 18 Stories: Good times, sad times, wasting time

Capt Mau Gris. Sgt Barry Pope RLC (Phot)

Capt Mau Gris. Sgt Barry Pope RLC (Phot)

Captain Mau Gris is team leader for the British Army’s Combat Camera Team (CCT) based in Afghanistan throughout the summer 2013 as part of 1 Mechanized Brigade. Op Herrick 18′s CCT also includes Sergeant Barry Lloyd – video cameraman – and Sergeant Barry Pope – photographer.

 

The meaning of CCT becomes clear

Hi guys – its been a little while since I posted something but a fair bit has happened.

One of the sad duties I have to do is cover vigils of fallen  comrades. It’s probably one of our most important tasks; documenting the vigil to a fallen serviceman, but you cannot help but feel a little scummy, a bit like the paparazzi as you take the photos and video of such a solemn occasion. I do wonder how people could do it for a living.

Vigil service for LCpl Jamie Webb of 1 MERCIAN Regiment. Sgt Barry Pope RLC (Phot)

Vigil service for LCpl Jamie Webb of 1 MERCIAN Regiment. Sgt Barry Pope RLC (Phot)

The team got its first run out as a deployed newsgathering unit. We had go down to Lashkar Gah, the capital of Helmand to cover the official changing of the Brigade from 4th Mechanized Brigade to 1st Mechanized Brigade. This happens when a new tour begins and a new load of people take over. We found ourselves working alongside Caroline Wyatt, the BBC’s Defence Correspondent and the British Forces Broadcasting Service guys.

We arrived a day early to film the goodbye Shura – which is an Afghan meeting with Afghan musicians and traditional food. There was this exquisite potato flat bread call Burkahra. All the top Helmand residents descended to say thanks to out-going Brigadier Bob Bruce and welcome Brigadier Rupert Jones.

With a real-time deadline of 12.30pm for 1pm News to get the material back to the UK in time, we had a real rush. The satellite decided it didn’t want to work. Great! So we had to rush around like mad men trying to hop on a computer anywhere we could. We managed it by the skin of our teeth and got to see our images on the news for the first time!

It was at this point that I began to realise the pressures and difficulties that traditional news teams must have when chasing a story. It’s not just being aware of the environment and the constraints on the kit, it’s getting the interviews, that are ‘clean’ – ie free from distraction in the picture and the sound, as well as the GVs (or general views) of whatever it is you are covering. That is before you have to worry about transmission back to wherever will be showing it!

Images of the 4th mechanized brigade Shura. Sgt Barry Pope RLC (Phot)

Images of the 4th mechanized brigade Shura. Sgt Barry Pope RLC (Phot)

Images of the 4th mechanized brigade Shura. Sgt Barry Pope RLC (Phot)

Filming of 4th mechanized brigade Shura. Sgt Barry Pope RLC (Phot)

Images of the 4th mechanized brigade Shura. Sgt Barry Pope RLC (Phot)

Images of the 4th mechanized brigade Shura. Sgt Barry Pope RLC (Phot)

Images of the 4th mechanized brigade Shura. Sgt Barry Pope RLC (Phot)

Images of the 4th mechanized brigade Shura. Sgt Barry Pope RLC (Phot)

Shawqat farewell

Following that faff, we were prepared for the next deployment to  Forward Operating Base Shawquat in the Nad-e Ali to see the Mercian regiment leave Afghanistan for the last time. Shawquat has is based around an old British fort that was used the last time the British were in Afghanistan! So we got some good pictures of where our predecessors would have stayed.

 Take over of authority at Main Operating Base Lashkar Gah. Sgt Barry Pope RLC (Phot)

Take over of authority at Main Operating Base Lashkar Gah. Sgt Barry Pope RLC (Phot)

As you can probably tell I’ve been doing a fair bit of travelling which is just as susceptible to delay as in the UK. The Afghan weather plays havoc with the Helicopters so the Baz(es) and I have been doing what all good soldiers do, when they get free time – sleeping.

Time for a well-earned rest. Sgt Barry Pope RLC (Phot)

Time for a well-earned rest. Sgt Barry Pope RLC (Phot)

Next time – I will talk to you about filming the elite Brigade Reconnaissance Force in 3D – the first British troops to ever be filmed in 3D!  I also will talk about the difficulties and constrains of filming in the Hospital.

See you next time guys. Take it easy.

Follow Mau on Twitter: @mau_gris

Herrick 18 Stories: Military Dogs homeward bound

Captain Mau Gris

Captain Mau Gris

Captain Mau Gris is team leader for the British Army’s Combat Camera Team (CCT) based in Afghanistan throughout the summer 2013 as part of 1 Mechanized Brigade. Op Herrick 18′s CCT also includes Sergeant Barry Lloyd – video cameraman – and Sergeant Barry Pope – photographer.

 

Dogs on a plane

As part of a camera team, you get asked to film some weird stuff. It doesn’t come much weirder than being pulled out of your bed at 3am to film some dogs being walked around the desert.

After I had woken fully, I found out that we were going to film the military working dogs (MWDs) being walked before their flight home following their tours. MWDs, unlike their military handlers, have no standard tour.

Depending on their ability to work, some of the dogs getting on the plane had been in Afghanistan for up to three years. They were going home to Germany for some well-earned rest. It’s not unheard of for the handlers to buy their dog from the Army after it finishes it’s career. Indeed some handlers have even used their operational bonus to buy their dog.

When you’re stumbling around in the dark surrounded by MWDs, it is a useful fact to know that the dogs you have to be careful of are not the protection dogs, who tend to be bigger and louder than the rest, it’s the hyper-focused search dogs that will have a little nibble on you if you get too close.

Image of Military Working Dogs leaving Afghanistan after a tour of duty. Sgt Barry Pope RLC (Phot)

Image of Military Working Dogs leaving Afghanistan after a tour of duty. Sgt Barry Pope RLC (Phot)

Image of Military Working Dogs leaving Afghanistan after a tour of duty. Sgt Barry Pope RLC (Phot)

Image of Military Working Dogs leaving Afghanistan after a tour of duty. Sgt Barry Pope RLC (Phot)

Members of the Royal Army Veterinary Corps loading military working dogs in to the C17 aircraft in preparation for the flight home to the UK. Sgt Barry Pope RLC (Phot)

Members of the Royal Army Veterinary Corps loading military working dogs in to the C17 aircraft in preparation for the flight home to the UK. Sgt Barry Pope RLC (Phot)

Highway to Helmand

Aside from the dogs, I had my first outing into Helmand to visit 22 Engineer Regiment. The job we were filming involved removing a bridge that had been damaged; which would then be replaced by an Afghan contractor. Though I only got to see it as they were stripping away the first bits with the help of a US Marine Corps crane team.

They had been working hard all night to build their temporary base near the bridge before working on the bridge itself, so they were tired by the time I got there. The bridge is near a place called Lashkar Gah Durai and is an important feature on Highway 1 (which is a bit like the M25 but for the whole country). So, they were working quickly to avoid the traffic building up.

It was great to get out and finally do the job I have been training for. However, it was useful for another reason. As I am sure most people who have served will tell you, it doesn’t matter how much you organise your kit on pre-deployment training, you will always have to re-jig your kit after your first time out on the ground. I have now realised just how much of a pain the tripod I have to carry for my cameraman is going to be.

Members of the Combat Camera Team (CCT) in Afghanistan

Members of the Combat Camera Team (CCT) in Afghanistan

Follow Mau on Twitter: @mau_gris

Scarlet and Gold of London town

Massed Bands of The Household Division perform the Scarlet and Gold concert at Central Hall, Westminster.

Massed Bands of The Household Division perform the Scarlet and Gold concert at Central Hall, Westminster.

Musn Batai is a musician in the Band of the Irish Guards. During a normal working day he performs on the oboe and may play at state and ceremonial events across the capital and around the world.

Ride of the Valkyries

After a serious week of preparation for the Scarlet and Gold concerts, the Massed Bands of The Household Division, part of the Corps of Army Music, gave fantastic performances on the 22nd and 23rd of November at Central Hall, Westminster, with a versatile programme. Great soloists and breathtaking ensemble work from all the members of the band delighted the audiences.

I felt very privileged to sit in the band as the principal oboe and had a great pleasure to be part of this musical spectacular. The concert started with the National anthem followed by Wagner’s The Ride of the Valkyries, with the Fanfare players on the balcony, decorating the venue and filling the hall with their glorious sound. The opening was truly powerful and instantly gave an insight as to what the audience was to expect from the rest of the concert.

Following Gounod’s March Militaire we played a piece, which was in my opinion one of the highlights of the evening - Alfred Reid’s Armenian Dances which were originally composed for a concert band and there are truly challenging moments for all the instrumental parts; in particular woodwinds. The Band played extremely well and demonstrated its excellent skills.

The other highlight was the world-renowned film music from Spielberg’s Oscar winning drama Schindler’s List. I would like to mention Lance Corporal Rebecca White who played the solo violin with a superb taste and fantastic musicality. My part was not particularly busy in the piece so I had a chance to glance at the audience and notice that they were clearly ‘blown away’ by the unity of the ensemble and the soloist’s sensitivity. It was a real gem in our programme.

Massed Bands of The Household Division perform the Scarlet and Gold concert at Central Hall, Westminster.

Massed Bands of The Household Division perform the Scarlet and Gold concert at Central Hall, Westminster.

Star Wars

The show had a sudden change after the solemn melody as the Corps of Drums, 2nd Battalion, The Princess of Wales’s Royal Regiment marched on. They made a spectacular show with use of ultraviolet lights while using fluorescent yellow drumsticks as the venue’s lights were switched off. The following marches made everyone stomp their feet and enjoy the traditional military music. I heard people whistle or hum the well known marches even when we went out for the interval. Upon return the Band performed Star Wars by John Williams. This piece also received support from the fanfares and the lightning display which again made this musical event more effective. It almost felt like the moments from the film, ‘Star Wars’ were brought into the auditorium.

The pipes are always loved, it was not different this evening either. The well known tunes played by the Pipes and Drums of The London Regiment, were very well received and set the mood to a very light hearted overture from the MGM Classic film ‘The Wizard of Oz’.

Massed Bands of The Household Division perform the Scarlet and Gold concert at Central Hall, Westminster.

Massed Bands of The Household Division perform the Scarlet and Gold concert at Central Hall, Westminster.

Beautiful marches

The film music led us to the Guards Big Band’s performance of three pieces. They were led by Colour Sergeant  Jason Libby. I must admit this was the first time in my life I wished I could play a brass instrument or saxophone and be part of this ensemble. The superior playing was breathtaking. The members of the ensemble were completely unified and clearly had a great time performing. Their enthusiasm made everyone feel part of their show. Third piece, A Foggy Day in London also featured a soloist/singer, Lance Sergeant James Scott.

After the magnificent performance of the Big Band, the concert reached its finale which consisted of pieces such as Bizet’s Farandole, Handel’s See the Conquering Hero Comes and a very effective arrangement by Lieutenant Colonel Duncan Beat. The arrangement was a combination of Will Ye No Come Back Again and Auld Lang Syne, with the bugle call Last Post.

The audience seemed to love the show and I have no doubt that they will return eagerly in the future to this unique musical spectacle. I really hope that I shall be in the band again to take a part in this great event, as ‘Scarlet and Gold’ is one of the rare opportunities for the members of the band to engage with the public in the concert ambiance and share the beautiful marches and versatile music from all around the world.

Massed Bands of The Household Division perform the Scarlet and Gold concert at Central Hall, Westminster.

Massed Bands of The Household Division perform the Scarlet and Gold concert at Central Hall, Westminster.

Sinfonietta – sound of strings

Musn Wright

Musn Wright

Musn Wright is a Musician in the Royal Artillery Band, part of the Corps of Army Music. As a violinist he is given the opportunity to perform with a small orchestra namely the Corps of Army Music Sinfonietta. During the normal working day he will perform on a wind instrument at key ceremonial events and in support of the Army worldwide.

One-size-fits-all, cream of the crop ensemble

An unusually cold autumn morning set me up perfectly for rummaging through my wardrobe for a different hat. As an Army musician, I’m sure many have seen the plethora of different head gear that adorn the tunics; from bearskins to busbies and mirror-like brass to the humble beret. But few will be so familiar with the metaphorical cap that many of us sit under throughout the year – that of trained orchestral musicians.

Granted, the image of a macho soldier lending their hand to the subtleties of a violin or cello, are not the first to spring to mind when one thinks of  ”jobs available in the army”. However, our country’s orchestral heritage can be traced directly back to this. The first official orchestra in Great Britain was that of the Royal Artillery Band in Woolwich, who as a unit, very proudly celebrated their 250th anniversary in October this year.

Other small string groups can also still be seen, made up from musicians of both mounted and Foot Guard Regiments of the Household Division.

So back to this cold autumn morning. What we have is musicians from the Royal Artillery Band and the seven bands of the Household Division descending upon the Royal Military School of Music in Twickenham, for a one-size-fits-all, cream of the crop ensemble. Known as the ‘CAMUS sinfonietta’, its anticipated annual occurrence and careful selection of players offer it up as a very distinct jewel in the crown of military music. And the extra sparkle comes in the form of the finest woodwind and brass players, trawled from all corners and cupboards of the corps of army music. Indeed this year, as in some previous, we have the pleasure of some guest players from the RAF.

Our first rehearsal was the usual mixture of emotions. A meet and greet of those that have seen each other recently and those who, as in any working environment, may be grateful that they haven’t. But tensions over who spilt whose coffee last year soon subside as we recalibrate ourselves for the task in hand. And this year it’s quite a task, yet with even less preparation time than last, owing to such a busy month for bands. After several hours playing I feel much more relaxed into the larger string section than normal, and by the sound of the rest of the orchestra it promises to an exciting program of music to get stuck into and bring some passion and energy to both venues in the concert series.

HRH The Countess of Wessex meets LCpl Shellard clarinet soloist

HRH The Countess of Wessex meets LCpl Shellard clarinet soloist

The two venues for this years CAMUS  Sinfonietta concerts were the Newbury Arts Centre and the prestigious Menuhin Hall at Cobham.

The audiences at both venues were a mix of music lovers, military top brass and even royalty at the Menuhin Hall. Yes we had the privilege of our Colonel in Chief , HRH the Countess of Wessex in attendance. Nothing like a spot of royalty to ratchet up the pressure and encourage the best possible performance.

So to the music…

The woodwind section of the Sinfonietta

The woodwind section of the Sinfonietta

Our opening piece was an overture by the lesser known Rosenberg. And quite an opener it was, possibly an eye-opener for those less familiar with 20th century composers of his ilk. It’s a sort of marmite music with not much between loving or hating it. I’d say the audience were split on both nights. No matter the stance taken on the style of music, there would have been no doubt as to the ferocity and commitment it was delivered with. The conductor, Lt Col Meldrum, could easily have been mistaken for an evil wizard as he tried desperately to conjure every ounce of the composer’s intent from the bold phrases and the gut-wrenching harmonies. Well that was my take on it. A passer by or those less familiar with the concert hall might have thought Paul Daniels had just pulled an orchestra out of a hat. However, I suppose unless you’re a musician it would be difficult to grasp the effect a conductor can have on an orchestra.

Alongside the great variety of musical observations to be had, there was plenty on show for the non-musical military contingent who seemed equally transfixed by the performance.

For example, the discipline and timing involved in synchronising the bowing and rhythms of a well-oiled orchestra could match the prowess of a top class drill team or air display without a second thought. Likewise, the hawk-eyed observation and self control required in those pin-drop moments that see a full string section playing together quieter than a whisper, wouldn’t be out of place in an ambush or reconnaissance role.

LCpl Shellard performs at Arlington Arts Centre Newbury with the Sinfonietta

LCpl Shellard performs at Arlington Arts Centre Newbury with the Sinfonietta

I’d say my two favourite works of the program were ‘ Banks of Green Willow’ and Gordon Jacob’s  ’Mini Concerto for Clarinet and Strings’. In the latter we had the pleasure of LCpl Alan Shellard from the Band of the Grenadier Guards as a soloist.

The ‘Banks of Green Willow’ by Butterworth offered a welcome respite from some of the more jarring chords found in the first two works. Its flowing folk-based melodies, painted with expert writing, would certainly have warmed the audience on such a cold evening. Notable colours oozed from the orchestra in the form of Lance Corporal Chris Spencer’s opening clarinet motif, Lance Corporal Rebecca White’s stirring solo violin moments and Warrant Officer Class 1 Guy Bennet’s harp contributions. I did think ‘fair play’ on his behalf as most sergeant majors wouldn’t admit to knowing what a harp was, never mind strumming their own in public.

The response from the audience as the energy in the hall wound up to an impressive, if slightly sweaty, finish of Bizet’s 1st Symphony was most encouraging. So presuming they were as generous to the Soldiers Charity ABF (whom the concerts were in aid of) as they were with their applause, the entire project will have have been of great worth. It’s certainly one I would gladly take part in again.

Public events featuring the bands of the Corps of Army Music

Medals, international rugby and mud glorious mud

emma peacock

emma peacock

Follow Musician Emma Peacock who plays flute and piccolo in The Band and Bugles of The Rifles. She has been in the band for two years, having completing Phase 1 training at ATR Pirbright and Phase 2 at The Royal Military School of Music, Kneller Hall.

All you can eat

After a week off to recover from the “Swift and Bold” concert in The Royal Albert Hall (see my last blog for all the details), we were back on the coach for over eight hours up to Edinburgh.  We were visiting 3 Rifles for their Homecoming Parade, Freedom Parade and Medals Parade.  The first night we went out to celebrate a promotion and a birthday.  It was a very good night!  Luckily the next morning was off and we didn’t have anything on until a Medals Parade rehearsal that afternoon.  The rehearsal went well, but it was absolutely freezing.  This was to be a common reoccurrence while in Edinburgh.

That night we were back in the city, having an all you can eat Chinese buffet and going to a salsa bar.  But it couldn’t be a late night as the next day was the Homecoming Parade.  This involved a march down a big hill to a local church next to a picturesque river.  The brass group played for the church service and then it was time to march back up the hill.  That afternoon was another Medals Parade rehearsal.  It took hours to warm up after it.

The troops marching down the Royal Mile.

The troops marching down the Royal Mile.

The next day was the big event.  It was families’ day for 3 Rifles and the day started with a march down the Royal Mile in Edinburgh city centre, giving the battalion the Freedom of the city.  This was then followed by the well-rehearsed Medals Parade back on camp.  There was just enough time after the parade for us to get some lunch and experience the atmosphere of the families’ day before we were back on the coach and travelling back down to what felt like the tropical climate of Winchester.

Battle PT

I am part of the Woodwind Quintet and on 15 November we went to play for the RAPTC (Royal Army Physical Training Corps) Officers’ Mess Dinner Night in Aldershot.  I was really looking forward to the PTIs doing handstands during their regimental march, as this was what people had promised would happen, but I was disappointed as all they did was sing along!

Saturday 17 November was a big engagement for us as we were playing at Twickenham Stadium for the rugby game between England and Fiji. There were 82000 people in the stands and it was an amazing feeling when they were singing along to us playing the National Anthem, the noise is unbelievable and an amazing experience.

The Band and Bugles of The Rifles and The Rifles Fijian Choir on the ground at Twickenham stadium.

The Band and Bugles of The Rifles and The Rifles Fijian Choir on the ground at Twickenham stadium.

This last week we’ve been in our barracks  and Corporal Jessup, our band Physical training instructor, organised a session of battle PT.  There was a lot of mud, a little blood, some ripped combats and some very sore bodies the next day.

Musician Hughes is currently doing her BTEC in Music for The Uniformed Public Services and so as part of this she helped oversee a teambuilding afternoon which involved command tasks and activities.  This was great fun and had us running all over camp

Trooper Sam Lowe (RDG) arrives in Afghanistan

Trooper Sam Lowe

Trooper Sam Lowe

The Royal Dragoon Guards have deployed to Afghanistan as the Police Mentoring and Advisory Group and are also responsible for Mobility Protection, with soldiers working in the Warthog Group. In the second of the Royal Dragoon Guards’ Blogs, Trooper Sam Lowe describes how he has found his first few weeks in Afghanistan. Sam, from Rotherham, is 22 years old. He is working in a Tac Team and this is his first tour.

Go go go…

On our arrival into CampBastion in the early hours of a Tuesday it was all go go go, straight into day one of the Reception, Staging and Onward Integration (RSOI) package. This is the final bit of training that we all do before the tour can properly get started. Day One was a load of briefs that told us all about what we needed to know for our time in CampBastion. Most of the Regiment got a ‘day zero’ to recover after their flights but because the flight was late, we were all pretty tired and so it was a very long day. The remainder of the week involved everything from marching in body armour (to get us used to working in the hot conditions) to stands about Health and Hygiene. Day Four even includes information on the life expectancy of fruit and veg in our Patrol Bases (PBs)! I thought that day 3 was the best day of RSOI because the staff taught us the most up to date life saving techniques and it gave me more confidence in being able to carry out my drills correctly.

Our new home!

At the end of RSOI, most of the lads flew out to their new bases, but not for two lucky people (Cpl Bob Littlefair and me) who had to conduct even more specialist training. But we eventually finished our training, had some time to get our kit squared away, and got on the flight to MOB Lashkar Gah… our new home!

Departure for Afghanistan

Soldiers from the Royal Dragoon Guards wait for the first of several flights taking them to Camp Bastion

A real eye opener

On Patrol in Lashkar Gah

On Patrol in Lashkar Gah

On landing in the base, we were greeted by some of the lads who came out on the earlier flight, and we were able to start the take-over from the Welsh Guards. The Royal Dragoon Guards lads have loads of different roles out in Afghanistan, but I’m one of the ones responsible for driving and patrolling everyone to the locations they then need to get to. The first time on the ground for me was a real eye opener, speaking with the local Afghans and starting up a new working relationship with the Afghan National Police (ANP). It was pretty daunting seeing how busy the area is, but you soon become more used of what’s normal and the way people act around you. Having been out a few times now, I now feel comfortable carrying out my job professionally and have belief in myself.

Going out in the vehicles, is not as daunting as doing the foot patrols, because you have the added protection of all the armour. Vehicle patrols also mean you get to see more of the Afghanistan countryside. It’s not much like our home in Catterick but at least there’s a lot to look at. I’ve had a really varied start to the tour and have visited most areas to protect lots of different shuras, as well as taking some long vehicle patrols. I’m really enjoying myself and I’m looking forward to seeing what the rest of our tour holds for me and the lads.

Credit
Trooper Sam Lowe; Photographer: Lt Crean
Soldiers from the RDG wait for the first of several flights; Photographer Lt Crean
On Patrol in Lashkar Gah; Photographer: Sgt Elliott
All material is Crown Copy Right

2SR Op Herrick 17 Tour with 246 Gurkha Signal Squadron

SSgt (FofS (IS)) Kay

SSgt (FofS (IS)) Kay

SSgt (FofS (IS)) Kay, a member of 2 Signal Regiment (2SR) and will be working in the Ops team of 246 Gurkha Signal Squadron, based in Camp Bastion for a six month tour on Operation HERRICK 17. He previously deployed in 2010/2011 with 16 Air Assault Brigade and was based in Lash Gakhar. The main tasks on Operation HERRICK 17 concentrate on working as part of a small  Operations team ensuring that Fixed Trunk Communications throughout Helmand are sustained in order to enable the Brigade to concentrate on their main tasks at hand in defeating the enemy.

2 Signal Regiment go on tour

I was posted to 2 Signal Regiment to go on tour, and while this is my job and I am happy to do it, I am apprehensive about leaving my wife and children yet again to face yet another Operational challenge. The build up phase to the tour has been encapsulated by STA (Specific Training to Arm) courses which I have had to attend in order to prepare me for the task at hand. These STA courses have been entwined with mandatory courses such as MATTs (Military Annual Training Tests) and have included developed Infantry range work, all of which has ensured the last 7 months have sped by at a frenetic pace. At least I have had the occasional opportunity to pass an amorous glance at my wife between returning from one course and departing for the next. Annual leave has not been disregarded and the Commanding Officer has ensured that all his soldiers utilise their maximum individual leave allowance to ensure family life is as stable as it can be prior to deployment.

A personal note

Approximately 6 weeks or so before the unit deployed, the Squadron were concentrating on fine tuning the soldiers training, ensuring all deploying personnel are medically vaccinated and all final mandatory briefs have been attended to ensure everyone is prepared for the task at hand. On a personal note, it has recently been confirmed there is a good chance that I could be granted my 2 week R & R period (rest and recuperation) to fall over Valentine’s Day which has put a smile on my face, but maybe not the wife’s!

Emotional thoughts

Thoughts of Christmas and Family

Thoughts of Christmas and Family

The recent start of the new school year has been a welcome distraction for my children, from both the deployment, and the heartache this brings. I’m sure, however, it won’t stop them being mischievous for my wife whilst I am away from home. Being away from my family at Christmas is an emotional thought, but all the latest technologies the Army have embraced allow us to speak to our families at this special time. The tour will also enable me to reduce my financial burden, as I now have an excuse not to buy my parents gifts at Christmas! (Hope they don’t read this blog, if they do, only joking mum and dad!)

Accepting families and friends

Prince Harry Deploys

Prince Harry Deploys

The deployment of Prince Harry to Bastion has raised the profile of Afghanistan recently, which brings more media focus to television, public newspapers and radio enabling families and friends a greater ability to try and understand the conditions facing all deployed soldiers. My children have expressed a desire for me to obtain an autograph from the Prince as a gift on my return. If I cross paths with him in Camp Bastion I may swallow my pride to ask him. Or then again maybe not; the goading I will receive will be too much to take. I now look to the deployment date to commence the countdown to an eventual return back to the United Kingdom in May 2013.